Martin Kollár TRANZIT
Zuzana Flašková: Let’s start with your recent work. How was your latest exhibition conceived? Martin Kollár: I was very pleased…
Zuzana Flašková: Let’s start with your recent work. How was your latest exhibition conceived? Martin Kollár: I was very pleased…
Katarína Uhlířová: When did the photographic process, photography as an inspiring medium with immense potential, really capture your interest? Jiří…
THE SPACE AROUND ME slowly swells out into various forms but when I touch something, all at once it stops…
Sláva Sobotovičová (*1973), a video, video-performance and video-installation artist, draws on the natural, rough quality of the medium in its…
Since its establishment in 2000, the Rafani group has been programmatically and consistently appearing as a collective, even though the…
Fundamental for a large part of the work of Roman Štětina (*1986) is his work experience in radio, as are…
Magda Stanová’s current artistic research is based on analyses of creative processes. Typical qualities of her work are precision, profundity,…
Anabela Žigová (*1974), an artist and film-maker, based in New York and Bratislava, creates films where realitycrosses over to the…
Zorka Lednárová (Bratislava, *1976) studied in the sculpture studio of J. Meliš at the Academy of Fine Arts and Design…
Although Anton Podstraský was fond of photographing the dynamics of life, it…
The theme of the prefab tower block was already present…
LET’S BEGIN WITH A SIMPLE statement: Karol Pichler studied textiles…
STANISLAV KOLÍBAL BELONGS to the generation whose historical task was to bring…
UNDER THE NORMALIZATION régime in the 1970s, Prague was – as Louis…
Vasil Artamonov (*1980) and Alexey Klyuykov (*1983) are a duo of artists who explore the avant-garde legacy with a…
Fedor Blaščák: What do you think about the Berlin Biennale. Did anything…